Category Archives: Leonard Nimoy

“Mr. Abrams, Did You Break My Star Trek?” a.k.a – My Review of Star Trek: Into Darkness (With many Spoilers)

Okay, so a hundred years and 25 or so revisions later, I’m finally getting this review out!  I know by now there’s been plenty of debate and stir over the latest JJ Abrams version, but if you don’t mind one more, here,  just in time for the blue-ray release, is my two cents. (Yes, there will be SPOILERS)   Thanks for your patience.

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Spock (Zachary Quinto) and Kirk (Christopher Pine) are snared again by lens flares in Star Trek Into Darkness.

On a scale of 1-5 stars I give it almost 4 (Like 3 and 7/8ths) ) 3.  Did I like it? Yes. Did I love it? Not as much as I hoped I really would.   Obviously the writers and Abrams are taking the original series where no franchise has gone before;  into it’s own damn idea of what Gene Roddenberry had in mind. Some of its impulses were good.   Others, not so good.   This review questions some of those impulses. (And yes, there was  a lot of good too).

The story got off to an exciting start, with a classic, if somewhat preposterous, Enterprise-saving the-day-venture. Kirk rescues Spock by avoiding The Prime Directive, which foreshadows the climax of the film.   This Trek is a lot edgier and action-based than the original series ever was, no doubt aiming for the all-powerful 18-24 demographic. Fortunately it isn’t too far into these extremes, and still retains the wit and familiarity of the original series.  First, the bad:

As an old Trekkie, I found the  extra-large action aspect mildly bothersome, but what mostly upset me was the blatant recycling  of a storyline that was best told in Star Trek: The Wrath of Khan.  Come now, writers, surely you could have written the (spoiler) Kirk death scene in a new, dynamic way, not rehashing  Spock’s death in  ST:II nearly word for word!  I found that whole scene a slap in the face to ST:II.   I mean sure, Spock has to face that his friend Kirk is in mortal danger trying to save the ship, but I can’t help but wonder how much better that scene would have been if it approached the same situation with original dialogue! After all, THIS Spock has not known THIS Kirk as long as the originals.  Of course Spock would try to save his friend and captain, but the lifted dialogue from Wrath…just made the scene lazy and a retread instead of the heart-wrenching agony it SHOULD have been. (On a minor point, I’ve always wondered why there are never any haz-mat suits in that most dangerous reactor area, heck even Spock wore gloves in Wrath…!)

And then there’s Khan himself.  When the rumors flourished before the release that  the villain might be Khan, I didn’t want to believe it because I thought, no, why would they mess with a perfectly good story that’s been told so well once before?  When it turned out that the rumors were true, and when Harrison revealed his true self, all I could think was…

“KHAAAAAAAAAAAAAAANNNNNNN!!!!!!!!!”

Really now, I enjoy and respect Benedict Cumberbach as an actor; (I just recently discovered Sherlock, which I love,) and I do agree that he made a deliciously sinister Khan.  But when one imagines Khan Noonian Singh, a  pasty, blue-eyed Englishman does not come to mind.  I also find myself wishing that my original speculation  of Cumberbach and Alice Eve possibly playing Gary Mitchell and Dr. Elizabeth Dehner had come to pass.  I think it could have been just as exciting with these two characters, (who suffered with a god complex)  and it would have been nice to see more into their characters than we did in the original pilot. Alas.

Now why this had to be another revenge movie and not the beginning of the 5 year mission was quite frustrating.  It’s plot was so similar to the first reboot  it begs the question that perhaps Hollywood has forgotten how to be original and just duplicates the same formulas over and over.  Star Trek deserves better than this. And I’m sure this is just me, because I’ve only seen it once, but I can’t even remember WHY Khan needs revenge in this one — and against Kirk? After reading this summary I recalled how somewhat convoluted the first part of the story was that led up to Khan needing revenge.  The original episode of Space Seed and it’s sequel STII gave a simpler, plausible explanation of Khan’s angst, but this telling was a can of worms that depended more on action than the philosophies of a superman.

There were other instances that irked me too…

  • Spock’s flagrant violence. Look, I know Spock is younger here, and still learning to control his emotions, but this is now two movies where his ‘passions’ are stirred enough to make him incredibly violent.  (that is, attempting to beat Khan to death) I just don’t find this true to the Spock character. Where was his logical reasoning?
  • Seeing Kirk in bed with two catwomen was (although comical) also frustrating  as this version of the franchise is turning Kirk into more of a horny frat boy than mature man. More of the frat boy mentality ensues with the gratuitous underwear shot of Dr. Marcus, carrying on the custom started in the first reboot with Uhura in her bra.
  • The suggestion that Christine Chapel had a (disastrous) fling with Jim Kirk, apparently the catalyst that sent her into Starfleet Nursing School (this is so bogus!) I guess there’s no Roger Korby in this universe, and Chapel has yet to set her eyes on Mr. Spock. (Although I could swear her name was mentioned in the first Trek movie in a sickbay scene)
  • Spock screaming “Khaaaaaaan!” was the nail in the coffin of the death scene. It was beyond laughable, and it was tragic.  Not because Spock is heartbroken over Kirk’s demise, but because it is more of Abrams’ writers saying  “Hey old Trekkies, (wink-wink), aren’t we clever?  See Spock is screaming just like Kirk!    It made me cringe.   Apparently the writers think they were paying homage to Wrath, but in fact they made it just a parody.   Please.
  • The Enterprise can function under water? Seriously?? It made for an exciting opening, but the semantics seemed totally wrong!
  • A Starfleet ship called the U.S.S. Vengeance — Seriously?
  • The convoluted plot leading Khan to be the an arch enemy.  He’s bad/ no he’s good/no, he’s bad and he can crush heads!
  • Damn lens flares!  One thing I loved about the old series was the soft and colorful lighting that created an inviting environment on the Enterprise. The production values here have kept the bright, happy, shininess of the Trek universe, and an occasional lens flare would have given it some kick, but to be continuously bombarded by flashing lights shows Abrams continued lack of respect for the quieter atmospheric lighting of the original.  Sure the bridge is an exciting place, but not a disco. (Besides, how could one work comfortably w/all those flares?)

Of course I realize that creating a movie requires a lot of hard work and commitment, and despite my problems with this venture, I do appreciate all the work that went into this.  I’m still thankful that we have this reboot, and that there will surely be a sequel.  There were a many things I liked too.  The Klingons helmets were cool.  And Karl Urban so  delightfully channels Dr. McCoy that I’m certain De Kelley is smiling d0wn on him from Heaven!  Also happy to see Spock Prime, if only for a minute.  And to be fair, there were some thought-provoking moments and good drama early on in the film.  But the best thing about STID was the humor.  Here’s some of the best one-liners:

  • McCoy: “You know, when I dreamed about being stuck on a deserted planet with a gorgeous woman, there was no torpedo.”
  • Sulu: “Attention: John Harrison. This is Captain Hikaru Sulu of the USS Enterprise… You have two minutes to confirm your compliance. Refusal to do so will result in your obliteration. And If you test me, you will fail.”   McCoy: “Mr Sulu, remind me never to piss you off.”
  • Kirk: “Wait, are you guys… are you guys fighting?   Uhura: I’d rather not talk about it, sir… ”  Kirk: “Oh my God, what is that even like?”  [Spock appears at the turbolift door and Uhura walks past him]  Kirk: [as he walks past Spock] “Ears burning?
  • Kirk: (regarding Spock) Sometimes, I just want to rip the [pauses] bangs off his head!
  • Scotty: “If it isn’t Captain James Tiberius Perfect-Hair!”
  • Bones: “Are you out of your corn-fed mind?”
  • Scotty: “One day I’ve been off this ship! One bloody day!”

Of course, Star Trek does not thrive on humor alone.  The one piece of dialogue that mirrors my view of this current incarnation is this:

Kirk:  “Mr. Chekov, did you break my ship?”

A funny line, to be sure, but perhaps that should be:

“Mr. Abrams, did you break my Star Trek?”

My main concern about this reboot is that new Trek fans will lose sight of what Star Trek was all about, and think that this wall-to-wall action is what it was always like.  There are already fans out there who will never see the original (if cheaper looking) special effects of the original because the new digital restorations have removed most of the beautiful original matte paintings of the original, and have even shortened  some scenes (think Spock’s beam out from Vulcan in Amok Time) to make room for more of the digital art.  Sure the sets were cheap and the effects crappy, but most of the original was less concerned with it’s special effects than its soul.

I am hoping and praying that the next Trek movie will PLEASE bring us closer to the spirit of the original — it’s about missions and exploring new worlds, (in an allegorical fashion) and tapping into the souls of the original characters. Indeed, the more I see how this movie series is aiming toward more and more ACTION, I am more convinced that this reboot would be served far, far better as a  new TV SERIES.  After all, the main point of Star Trek was NOT all-action-all-the-time, it was morality tales wrapped as science fiction.  Star Trek also had key drama and soul in it’s best tales (Think The City On the Edge of Forever and Journey To Babel) and consider how so many of the best Dramas today are NOT multi-plex slugfests, but thoughtful, mature, and riveting TV series (mostly on cable, like Mad Men and Breaking Bad).

I seriously wish that Paramount would consider turning this Star Trek reboot back into the the format it worked in best: Television, preferable cable or even Netflix  where it could thrive without the restrictions of broadcast television. Could you imagine how great it could be if we saw this cast and this Enterprise on a weekly basis — it would be worth every cent to have this rebooted cast grow and emerge as a great drama ensemble, not just a shoot-em-up summer blockbuster every few years.  (Besides, Leonard Nimoy isn’t getting any younger, and I want to see how Spock Prime brings back New Vulcan!) That would make Trek shine again as the cornerstone of sci-fi entertainment that it was destined to be. Please Paramount, Bring this version to TV where it belongs.  Keep the whole cast (except maybe for Scotty’s little pal) and please lets pick up where The Original Series left off.

By the way,   I did pre-order this movie on Amazon (1/2 price), I hope if maybe I watch it a few more times, I’ll like it better, and maybe I will. But in the meantime, I implore all unborn Trekkies to please just watch the original 79. Enough said.

#34 — “Amok Time”

At last, I create one of my favorite episodes in movie poster form! Some of you may wonder why I didn’t post Amok Time first in my posters for Season II; the reason is I create my posters in the order of episode production, not the order they were first aired.  I believe this gives the viewer a better idea of how the series developed over its three seasons.  This (and Journey to Babel) were the apex of the second season; after these the writing was a bit uneven and we all know what happened in Season III…  Note the Vulcan wind chime motif I used here.  Enjoy. 🙂

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My Weekly Spock (8/26/13) — Leonard Nimoy on The Flip Wilson Show

I recall way, way back when this first aired, (1974) I was not aware that Nimoy was a guest on The Flip Wilson Show that week, and I remember passing through the channels that night just in time to hear Flip Wilson say “…and thanks to my special guest, Mr. Leonard Nimoy!”  My pubescent heart screamed “Nooooooooo!”  (We had been watching  A Tree Grows in Brooklyn on the other channel)  and it didn’t occur to me that there might be a rerun of this Flip the following summer (this was in the before-times of no DVRs, On Demand,  Hulu, Netflix, or even VHS).

I was happy to see this skit some many years later on TVLand, but even this was an edited version of the original 60 minute broadcast  (Mr. Wilson had personally edited down his original show to 30 minute segments for syndication)  I know there were other skits on the show involving Nimoy, (for I had read about them in my LNAF Yearbook).  But these other skits may have been lost to posterity — I hope somewhere they still exist!  For now, enjoy these stills from the opening act of Flip!, where Flip wonders where the ear points are, and Nimoy goes into total Spock mode! The skit ends with Flip’s famous version of the High Five,(including the bump) – and of course, a Vulcan nerve pinch!

You can see the whole skit here.

The Daily Scrapbook 8/21/13 “Inside Science Fiction”

Hey, this is my 500th post!

Here’s today’s flashback;  Another installment of Media Spotlight.  This time it’s “Inside Science Fiction” by  Jackie Lichtenberg, where she reviews the latest sci-fi related projects by our favorite Trek stars.  Especially noteworthy is the LP album Inside Star Trek, which I remember buying at the time for  @ $8.00, a big chunk out of my budget for the time.  It featured Gene Roddenberry chatting with De Kelley, Bill Shatner and most notably Mark Lenard as Sarek, discussing the fascinating ordeal of  Spock’s birth.  I still have that LP somewhere, although nowhere to play it!  The article also mentions that fans should get a hold of Leonard Nimoy’s recordings of The Martian Chronicles, although they might be a bit too expensive for your average geek’s wallet.  The author extols Nimoy on his “rich, velvet voice”.  There’s also interesting insights on how “The City on the Edge of Forever might have been if writer Harlan Ellison had his way (a footnote of Star Trek production legend is about how much Ellison hated the way his original script was edited into the legendary episode that aired.  (To his credit, Ellison won a Writer’s Guild of America’s Award for his original teleplay).

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My Weekly Spock 8/19/13 Night Gallery “She’ll be Company For You”

In a 1972 episode of Rod Serling’s Night Gallery, Nimoy played Henry Auden, a recent widower who isn’t too upset that his invalid wife Margaret has passed away.  Although he loved her, he can’t help feeling mildly relieved at his  freedom from his constant care of his late wife.  A creepy friend of Margaret’s gets him a cat who’ll ‘be company for him’, but Henry is slowly driven crazy between still hearing the bell his wife used to ring, and a sneaking suspicion that this little kitty is actually a wild cat out to kill him…  The episode also co-starred Kathryn Hayes, whom Trek fans will recognize as “Gem” from The Empath (I always like it when actors get to work more than once together in different venues).  Here, they argue and almost kiss. (It always seemed to be ‘almost’ or no kissing for Nimoy whenever he appeared in these ’70’s shows;  maybe the TV execs were afraid his fans would simultaneously combust a the sight…)  Even though Nimoy’s character here wasn’t the nicest, I couldn’t help but feel sorry for his fate.  Ironically, Nimoy’s always been an animal lover in reality, but not here!

#32 “Friday’s Child”

In the spirit of completely misleading 1960’s movie posters, it seemed logical to present Friday’s Child as a comedy! (This was totally inspired by the ridiculous REAL publicity picture of Kirk and Eleen!)   Two posters in two days, I guess I’m on a roll!  It also mildly references Three Men and a Baby, which as you know was directed by Mr. Nimoy in the 1980’s.

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My Weekly Spock 8/12/13 “Kid Monk Baroni” Part II

Here’s the rest of my stills from Kid Monk Baroni – Enjoy!

Baroni’s bummed at being ‘the gorilla’ who’s always beaten up in the ring, so Baroni’s girlfriend Emily helps him to get plastic surgery and boom- he’s Mr. Charming! But the good looks turn him into a jerk too — he cheats on Emily with floozie June,  and is too afraid to fight hard and wreck his pretty face!  He agrees to fight dirty to make ends meet again, but in the end, loses the fight but wins the respect of his old pal (Jimmy Olsen!–that is, Jack Larson as Angelo) and gets his girlfriend back.  Unfortunately, we only hear that he’s married his girlfriend, and the final scene is spent on silly sight gag of one of his former gang members who liked to hide stuff in his long coat!

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Baroni (and his astonishingly narrow hips) with his crooked manager

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Girlfriend Emily loves him for what he is

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But encourages him to get plastic surgery anyway, for his own happiness

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So he gets the surgery

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And he…

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gets,,,

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Gorgeous

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And immediately sets his sights on…

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…slutty cigarette girl June.

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blows all his money on her…

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Reluctantly agrees to fixed fight with his manager

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He likes what he sees…

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Uh…what was I saying?

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On with the fight

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Not looking good for the home team…

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Friends to the end

The Daily Scrapbook 8/7/13 The Trek-Centric “Media Spotlight” 1977

Here’s today’s flashback. On a Saturday in  1977, I recall walking into the Waldenbooks a the mall  and found a magazine I had never seen before, and there was Mr. Spock in all his glory on the front!   Naturally my purse opened itself up and the dollars flew out to have this glorious cover shot. (even though it had very little to do with the magazine itself!)

Media Spotlight was a thinly disguised Star Trek zine, kind of like a poor newsprint cousin to the glossier Starlog magazine. It basked in the glory of the ’70’s Trek rebirth (complete with publicity stills and hastily sketched drawings of the crew) and kept you in touch with the stars, writers, and fans associated with the show (including the late, great Joan Winston) It also reported on other sci-fi shows of the time (Space 1999!, The Six Million Dollar Man!) but the original Trek was it’s favorite nest egg.  I’ll be posting articles from this edition through this week and beyond. And btw, this was the first prize in our Spock Lookalike Contest earlier this year! (Hey Roy, how do you like your mag?)  Enjoy.

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My Weekly Spock 8/5/13 Kid Monk Baroni Part I

Nimoy’s first truly starring role: Kid Monk Baroni (1952)

All in all, not a bad picture – and a fine performance by a young actor still (pardon the pun) learning the ropes!  (and a big step up from Zombies of the Stratosphere. Nimoy plays a young gangster in the streets, Paul Baroni, who’s called “Monk” by his pals, short for ‘Monkey’ for his facial deformity.  Paul feels an outcast for his looks, but the friendly priest from the local church  gets him into boxing and Paul finds himself an amateur welterweight.  He’s still shy and self conscious of his looks, but he meets a nice girl who loves him for himself. His nasty manager wants him to fight dirty.  Yet Paul is still insecure and wants to quit the ring.  Will he find happiness?  Stay tuned for next week’s installment!

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My Weekly Spock 7/29/13 Zombies of the Stratosphere! (1952)

zombiescoverLet’s start at the very beginning, shall we?  Mr. Nimoy goes to Hollywood–he’s gonna be a star! Well, not just yet…And even though he’s seen prominently in the movie posters for the Republic Serial, Zombies of the Stratosphere (1952) (a.k.a.Satan’s Satellites), he’s not mentioned in the cast list there! (A remastered colorized DVD version remedies this great mistake!) Original black and while stills here, as well as highly colorized screen caps from the DVD. Gotta give the man credit for following his dream!  And it gave him practice to be an arch-eyebrowed- second-in-command member of a  spaceship!

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That’s Nimoy (as Narab) on the far left -yep, those are really secure seats!

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An original poster for zombies…

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And the still it was based on… Leonard is only 21 here! (bless him!)

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Now look menacing!

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I had a terrible dream I was in an awful serial… oh, right…

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*sniff!* I just wanted a decent speaking part!

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But where’s the Gamesters of Triskellion?

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You know it’s a bum rap when you have to carry the director’s luggage…

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Nimoy finally gets credit for this movie–(but would probably be okay without it!)

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